On Tuesday, the Brown University Lecture Board hosted Metro Boomin for a talk at Salomon DECI.
Leland Tyler Wayne, more famously known as Metro Boomin, is a record producer who has collaborated with hip-hop and R&B stars such as Future, Travis Scott and Nikki Minaj over the last two decades of his career. During the event, Metro Boomin discussed his rise to stardom and partnership with some of the biggest names in rap.
鈥淚 just love to make music. That鈥檚 all I want to do,鈥� said Metro Boomin. 鈥淚鈥檝e been like that since I started at 13.鈥�
Born and raised in St. Louis, Metro Boomin grew up listening to hip-hop and rap artists across the country 鈥擳upac, Nelly, Outkast and Janet Jackson, to name a few 鈥� while making beats in his bedroom. He accredited his midwestern upbringing for his exposure to a diversity of artists from a young age.
鈥淢usic is regional, especially back then before the internet,鈥� he said. 鈥淭here were so many songs popping in California, and other places like New York, that we probably never even heard of. But being in the Midwest, being in the middle of everything, we caught some of everything. That鈥檚 why I like making so many different types of music.鈥�
Metro Boomin discussed how his diverse love of music made him attracted to the rap scene in Atlanta, a city that has historically been ripe with upcoming artists in hip-hop.
鈥淢y mom used to drive me down to Atlanta every month just to go down there and work with (OJ da Juiceman) when I was still in tenth grade,鈥� he said. 鈥淗e introduced me to Gucci Mane, and me and Future made our first song together when I was probably in eleventh or twelfth grade.鈥�
He later attended Morehouse College in Atlanta after high school to be in the heart of the rap scene. But after a few months of staying in the studio until three in the morning, and having to wake up for class only a few hours later, he decided to drop out. 鈥淚 wouldn鈥檛 get much done if I was trying to split the time between (music) and school, something that I wasn鈥檛 really passionate about,鈥� he said.
鈥淢usic was really where my heart was and where I wanted to pour everything into,鈥� he added. 鈥淚 didn鈥檛 want to put my mom and dad into debt on top of that so once I dropped out, I went 1,000% with the music, all day, every day.鈥�
Since then, Metro Boomin has been behind more than a hundred Billboard Hot 100 songs, He has also created his own record label, Boominati Worldwide, which backs current popular releases such as the 鈥淪piderman: Across The Spider-Verse鈥� soundtrack, and his continuing album trilogy 鈥淗ero & Villains.鈥�
When asked about working on the Spider-Verse soundtrack, Metro Boomin said it was like 鈥渁 blessing.鈥�
鈥淚 didn鈥檛 want it to feel like a kid (album) or like a Disney Channel (album),鈥� he said. 鈥淚 wanted kids to enjoy the songs, adults to enjoy these songs, your grandma and grandpa to enjoy the songs. All of the artists (on the soundtrack) were worried, saying 鈥榳e can鈥檛 cuss,鈥� but I told them don鈥檛 approach it like that. Talk about a lot of the same stuff, but in another way.鈥�
While Metro Boomin is iconic for the beats he has produced for artists, many fans know him that announces him as the creative mind behind tracks like 鈥淟ow Life鈥� by Future featuring the Weeknd and 鈥淵ou Was Right鈥� by Lil Uzi Vert.
Now, Metro Boomin says his sound as an artist is so distinct, and his volume as producer is so large, that he does not need to use a producer tag on every song he helps create.
鈥淚 don't ever want to force it,鈥� he said. 鈥淚f there鈥檚 a cool pocket or spot for (the producer tag) to enhance the beginning or end of the record, I鈥檓 all for it.鈥�
The moderator mentioned how without the producer tag, some listeners still do not recognize that Metro Boomin is behind some of their favorite tracks, such as 鈥淐ongratulations鈥� by Post Malone featuring Quavo.
鈥淚 ended up in the studio with Post Malone, and Quavo just ended up calling (me),鈥� said Metro Boomin. 鈥淲e were all in the studio watching the Olympics on the TV., with the volume off, and I said, 鈥榊o, whatever we make with all this in the room right now needs to sound as good as this (on the TV)鈥�. So me, Frank (Dukes), and Louis (Bell) cooked the beat, Post was writing all of his stuff, and Quavo was rapping to himself and it all just came together.鈥�
鈥淚 just love to collaborate,鈥� Metro Boomin said.
Towards the end of the event, several students had the opportunity to ask Metro Boomin questions of their own. Two students who produce beats in their personal time, gave him copies of flash drives with their work on it. As he talked about his faith, gaining recognition in the music industry and the use of A.I. in rap, several students shared why they came to the event.
Jasmine Kamara 鈥�27 was excited about 鈥淏rown bringing a Black pop culture figure to our school.鈥�
鈥淓specially because I think Black culture or parts of Black culture aren鈥檛 really pushed at Brown unless it鈥檚 in a predominantly Black space,鈥� she said.
Matthew Gorman 鈥�27 is a fan of Metro Boomin鈥檚 work and hip-hop in general. 鈥淚 like the beats and the quick flow and lyrics of hip hop,鈥� he said. 鈥淩ap talks about important things going on in the world and artists talk about real world problems.鈥�
鈥淏eing a student of whatever it is you鈥檙e pursuing gives you a whole other edge,鈥� said Metro Boomin. 鈥淚鈥檝e studied and analyzed hip hop music in general since I could remember, but I never stopped. I鈥檓 always hungry for more knowledge, looking back and asking what were they doing back then, how were they recording, and what keyboards and drum machines were they using back then.鈥�
鈥淲hen you鈥檙e in love with something it鈥檚 not really hard to be a student,鈥� he said. 鈥淵ou never want to feel like you鈥檝e got it all figured out.鈥�
Sanai Rashid was raised in Brooklyn and now lives in Long Island, New York. As an English and History concentrator, she is always looking for a way to amplify stories and histories previously unheard. When she is not writing, you can find her trying new pizza places in Providence or buying another whale stuffed animal.
